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| I had to pick the picture with a GameBoy in it. (YouTube). |
Is Boyhood going to win Best Picture this year? Right now that's my wish. So far, it's the irrefutable best film of 2014, and to top it off, I can't imagine any other feature being as worthy of the award than this movie.
Richard Linklater's masterpiece spans over a course
of 12 years, showing us the adolescence of Mason Jr. (Ellar Coltrane). Son of
single mother Olivia (the always under appreciated Patricia Arquette) and
younger brother to Samantha, Mason is first seen at age six and in first grade.
His mother and father Mason Sr. (Ethan Hawke) split up, and we hear Mason
Sr. moved to Alaska. Desiring a better life for her family, Olivia moves
herself and her children to Huston so she can pursue a degree in
Psychology.
The movie, while covering 12 years of his life,
spans through a few stages. After Mason and his family move to Huston, his
mother marries a professor with two children of his own, creating a blended but
seemingly normal and happy family environment for everyone. When that
relationship turns sour, the family relocates, where Mason then finishes middle
school. Before we know it, Mason's in high school, working as a dish washer and displaying a knack for photography. While capturing the big moments of childhood like
divorce and high school relationships, Boyhood really succeeds in
capturing the little moments of life, such as talking cool to appeal to
older kids, bowling with Dad, and simple dinner table conversations. Mason experiences everything we did in our childhood, along with everything we wish we had paid more attention to.
The final conversation in the movie is between
Mason and a new friend, which reinforces what the movie was trying to show.
Sometimes, we don't seize the moments, but the everyday situations of
life seize us. When Mason realizes this, his boyhood is over, and so is
the movie.
Even though the time jumps caused me to look at a somewhat new set of faces every 20 minutes or so, the pacing and flow of the film felt completely natural. It didn't feel like I was watching a motion picture, rather life itself. It didn't quite strike me until the end neared just
how much of a marvel Boyhood was. I wound up sitting there and asking myself,
"What have I just watched?"
Impeccably directed, beautifully
scripted, and marvelously constructed, Boyhood is unquestionably my
favorite movie of this year thus far. Boyhood has the ability
to change the face of film forever, reminding audiences and filmmakers alike
that a lifelong dedication to a work can pay off astonishingly if you
incorporate the patience, delicacy, and resilience that the story deserves. Can
a movie like Boyhood be done better? Maybe. But right now we can't
say. We have nothing else to compare it to because it exists within a realm of
its own. And right now, that realm is pretty mesmerizing.
Rating: 5/5
