Jurassic World

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Following up Steven Speilberg's original Jurassic Park movie is so difficult that even in the director's chair Spielberg himself wasn't able to do it too fantastically. Four years after that attempt, Jumanji's Joe Johnston gave it a try, and while he was able to bring some fun back to the franchise, his entry too lacked the awe of the first Jurassic Park movie. Now, we welcome in Colin Trevorrow, who brings to the franchise no previous experience with big-budget pictures. Instead, he brings an approach.

Immediately when Jurassic Park was released, people were enthralled, leading nostalgia to be a obvious presence in the sequels. By bringing back and focusing on familiar characters like Sam Neill's Alan Grant and Jeff Goldblum's Ian Malcolm, Speilberg and Johnson brought superficial nostaliga to their respective follow-ups - hoping to inspire memories and wonder just because of some familiar faces on an island with dinosaurs. Trevorrow, on the other hand, incorporates into his film a more effective form of nostalgia - an emotional type, a true type. Aside from one doctor with a minor role in the first film, Jurassic World gives us a completely new set of players. A risky move, but one that pays off, because Jurassic World is the sequel we can whole-heartedly admit we have been waiting for. Not because it shows the same characters, but because it invokes feelings audiences have not felt in a dinosaur movie for 22 years.

So, like most of you, my hopes were extremely high for this film. The park is open, we're back to the original island, and speaking frankly, the trailers looked pretty awesome. Still, one in my position can't help being hesitant. Unfortunately, those working at Jurassic World aren't too hesitant, especially when the park's operation's manager Claire (Bryce Dallas Howard) okays the genetic construction of a new super dinosaur, bred to evade any threat manmade or in nature. When things inevitably go wrong, the entire island of animals and visitors - including Claire's two nephews (Ty Simpkins & Nick Robinson) - loses the illusion of safety and control. So, out comes dino trainer Owen (Chris Pratt) on his motorcycle with his entourage of trained raptors to save the day.

Trevorrow, who also co-wrote the script, knew where to take the audience to bring us back to our happy place in this franchise. With some subtle and other not-so-subtle nods to the original Jurassic movie, he manipulated my emotional attachment to the story so well that I was able to overlook the film's occasional flaws effortlessly. When Simpkins' character runs to his hotel room and opens up his balcony to see the fully active theme park, I was wide-eyed and grinning like an 8-year-old. That's talent that can't be ignored, and I'm glad that talent was brought to this franchise.

Sadly, the movie was not without its eye-rolling moments, namely the unnecessary subplots and characters. For example - Claire and Owen had/have a thing for some reason? Sure. Why not? Zach and Gray's parents are getting divorced, even though this moment is only brought up once and never shown to be evident in the parents' behaviors? Sure. Why not. InGen is once again trying to undermine the people who actually know what they're doing on the island and sends out a cocky and annoying character to stir up even more trouble as if there isn't enough already? Sure. Why the heck not. But let's face it - I was having way too much fun watching this movie that most of the time I told my critic mind to shut up and enjoy the ride.

So, please, do yourself a favor and allow yourself to go back to Isla Nublar. See what's new for you and what shining moments from the past it has to offer. Pratt will charm you, Simpkins and Robinson will relate to you, and the movie will inspire you. Because if you thought the times where you could have a complete blast at the movies were over, you'd be wrong.

Rating: 4/5

Paper Towns

Margo (Cara Delevinge) and Q (Nat Wolff) carry out their plan for
high school revenge (FoxMovies)

As John Green's readers know very well by now, Paper Towns is no The Fault in Our Stars. Of course, I mainly say this in regards to the plot - for just because this movie too is about two teens in a maybe-romance and is by the same author and stars Nat Wolff does not mean we should expect the same atmosphere, themes, or story. But when I say this movie is not TFiOS, I'm also referring to it's quality. Paper Towns stands on its own as a good high school movie, but aside from a compelling mystery twist, it is incapable of standing out much more than others in its genre.

Nat Wolff stars as Quentin (aka "Q") - a reserved, results-oriented senior who appreciates consistency but lacks spontaneity in his life. That's where Margo Roth Spiegelman comes in. Quentin and Margo grew up next door to each other, but during their tween years, Margo realized Q's anchored lifestyle wasn't enough to match her reckless behaviors. They drift apart until one night their senior year, where Margo slips into Quentin's room. With a determined look on her face, Margo asks Q to serve as her getaway driver for a contrived revenge plot against her cheating boyfriend and her friends who didn't rat him out. Apparently that's a big no-no in girl-world. (I went to an all-boys high school, don't judge me.)

After re-establishing a connection, Margo and Q part following their misadventurous night of pulling pranks and ruining social lives, leaving Q with hope of a possible future with Margo. But the next morning, she goes missing. While her family and friends write it off as typical Margo behavior, Q thinks it's her way of calling him to come find her. Q finds clues around town, and rounds up a group of his friends to pile into his mom's mini-van to trek across the coast to find her, vowing to be back before their prom night.

Wolff and Delevinge make for an alluring on-screen pair, and perform their parts perfectly fine, but the duo that made me enjoy the movie most was Austin Abrams and Halston Sage. They play Quentin and Margo's respective best friends Ben and Lacey who tag along on the road trip. Both of these supporting actors give hysterical and sincere star-making performances - especially Abrams, who plays a goofball sidekick, a hopeless romantic, and a scene-stealing, beer-filled partygoer in a single role that shows a wide array of acting chops.

With it's element of mystery, the movie does warrant a watch if you're afraid it'll be just like every other movie of its kind. Thankfully, this isn't entirely the case. It has some detractors to it though - mainly its all too familiar tone and it's inclusion of certain ideas and behaviors I personally don't condone on a moral level.

Paper Towns suffices as a more-often-than-not enjoyable high school movie. It was nice to see that the filmmakers were trying to add something new to the teen movie genre, though the execution showed they weren't entirely successful. If anything, it's a showcase of a few new faces and some old ones delivering good performances throughout a story that's just past the threshold of keeping your continuous interest.

Rating: 3/5

Pitch Perfect 2

In about ten years, I invite you to open up a dictionary and look up the term "obligatory sequel." Next to the definition, you'll see a picture of Pitch Perfect 2. It hits all the notes needed to function as a good follow-up to a successful movie - our favorite characters return (with a couple of new faces), they face internal and external conflict, and they manage to surprise everyone by overcoming the odds and seeing their task through because they're unstoppable as a group. This is basically Cheaper by the Dozen 2 all over again, except with the Barden Bellas instead of the Baker family. But let the record show that when I was younger, I thought Cheaper by the Dozen 2 was a perfectly good movie. 

Everybody loved Pitch Perfect. And what's not to love? Anna Kendrick dominates the screen, the songs are catchy, and Rebel Wilson was still funny and not just a once-funny name with an Australian accent. This sequel gave us more of Kendrick's Beca, returned Wilson to her glory, and brought plenty of laughs. Yet despite this, it never goes beyond the expectations anyone had for it. It does nothing new, which is a disappointment, seeing how original its predecessor was. 

To recap the plot, the Bellas are suspended by the national a cappella association after an onstage mishap causes Fat Amy to expose herself to the President Obama, causing their chapter to be suspended from performing, holding auditions, or defending their title at national competitions. Distraught, the Bellas are told their only chance of reinstatement is to win an international competition, where the competition is tighter than ever. Groups from the whole world have perfected their acts, but none pose a greater threat to the Bellas than German champs Das Sound Machine (who, IMO, aren't even that fantastic).

Through a loophole, the Bellas are able to welcome in eager recruit Emily (Hailee Steinfeld), a cheeky freshman and daughter of one of the Bellas' original members. Emily brings original music to the group, something that's highly frowned upon in the a cappella community. Meanwhile, Beca, who is still seeing boyfriend Jesse (without any drama this time, thank God), starts skipping out on Bella responsibilities when she takes an internship at a music production company, where she's pushed to challenge herself in a professional setting. Also, three-time super-senior Chloe (Brittany Snow) is forced to face reality of the grown-up world, while Fat Amy finally gives in to her undeniable connection with former Treblemaker Bumper. 

Pitch Perfect 2 is a good comedy film, with smart comedic timing and a confident presence from all cast members, especially Kendrick, Steinfeld, and John Michael Higgins as one of the a cappella commentators. Musically, it never delivers a number that outdoes anything in the original, which, again, is a disappointment. But let's not dismiss the obvious fact that Pitch Perfect 2 is the obligatory sequel, and while it doesn't outdo or improve on Pitch Perfect in any ways, it works, at the very least, as a way to see some of your favorite characters in recent years again. 

Rating: 3/5

Avengers: Age of Ultron

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Had I actually written this review when I first saw the movie in May, I would've started things off by saying that Avengers: Age of Ultron is 2015's best movie so far. Unfortunately for the superhero team (and for Marvel Studios), I saw The Gift in August, which I now see as the year's best so far. But with this weekend, awards season is officially off to a start, which means that The Gift probably won't stay on top for too long. But I digress.

Yes, for three and a half months, I considered Age of Ultron to be the best movie of the year. It's an astounding popcorn film that can create a fan of the superhero genre out of even the most cynical moviegoer who just can't seem to get behind the idea of watching men in capes and costumes for entertainment. But here, similar to The Dark Knight, you can enjoy the film for being a superhero movie, but also for being an impressively-made film about (super) humans grounded in a well-thought out story. And while the story (or the film itself) might not be as impressive or well-thought out as The Dark Knight, the sequel is a step above the first Avengers film on so many levels of filmmaking and storytelling. For example, I can personally guarantee you that zero amount of screentime is dedicated to seeing the characters repairing a jet engine. Oh, and Hawkeye isn't a villain for half the movie this time. Thanks, Joss Whedon!

The sequel pits the Avengers - Iron Man, Captain America, Thor, Hulk, Scarlett Witch, and Hawkeye, - against Ultron. Initially designed by Stark and Banner to help humanity, the cybernetic artificially intelligent presence backfires and sees humanity as unredeemable. In an expected unexpected superhero movie turn, Ultron plots to destroy the world. Since Ultron (voiced by James Spader) is only a program, it needs some people doing its legwork for him. It seeks out two mutants - mind-controller Scarlett Witch (Elizabeth Olsen, Godzilla) and the super-fast Quicksilver (Aaron Taylor-Johnson, Kick-Ass 2) to fend off the Avengers while it devises a plan. Of course, the good guys stop Ultron and save the day, but despite a frequent reliance on superhero cliches, the movie makes up for it with everything new and inventive it will hopefully add to the future of the genre.

From the moment the film starts, writer-director Whedon shows us we're in good hands for the next two hours. Beginning with a rousing and explosive assault in the middle of a forrest and ending with an attempt to stop a city from being used as a makeshift asteroid, the movie lets up only at the times where moments of reflection and character development remind you why you're watching and why you should care. Oh yeah, and there's the Hulkbuster too. That's pretty awesome.

Age of Ultron has raised the stakes for the Marvel superhero film. No longer are we looking at these people on screen as pretty faces being paid millions of dollars to fly around for our appeasement. Instead, we see them as characters. We hear their history, we witness their loss, we endure their struggles alongside them - and because of this, the movie about people who punch things really hard and use mind control is astounding.

Rating: 4/5

Furious Seven

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Never in a million years would I expect to see myself calling a Fast and Furious movie the best of its year so far. Yet, here we are. You could attribute this to the lack of good movies that have come out in these past three months, or you could attribute it to its unmatchable sense of fun. I choose both. For the record, this is my first Fast and Furious movie, and to be honest, it’s made me want to go out of my way to see more movies in the franchise.

Furious 7 pits a ruthless British criminal, Deckard Shaw (Jason Statham), against a team of professional street racers with experience forking for the government. The group consists of Dom (Vin Diesel), Brian (Paul Walker), Letty (Michelle Rodriguez), Roman (Tyrese Gibson), Tej (Ludacris), and Agent Hobbs (The Rock). Deckard wants to avenge the death of his brother following the events of the previous film, and teams up with Mose (Djimon Hounsou) to steal an incredibly powerful tracking program from a hacker (Nathalie Emmanuel). The good guys team up for one last ride to save their lives, their families, and put a stop to Shaw.

The movie knows how to let its viewers have fun in the theater, even though it sometimes crosses the fine line of ridiculous fun and unbelievably absurd impossibility. If you thought dropping a half dozen cars out of an airplane onto a windy mountain road in another continent, landing them, and then driving them along said mountain in an insane chase scene to the point where Paul Walker ends up climbing out of a bus as it is falling off a cliff, then running up that bus to grab onto Michelle Rodriguez’s bumper as she drifts along the edge of the cliff couldn’t be made into a prolonged, irrevocably entertaining, 20-minute action scene, the you’d be completely wrong.

Yet sometimes, these scenes aren’t as fun, entertaining, or feasible. Specifically, when Vin Diesel survives falling off both a cliff and a dilapidated parking garage through the power of love, when The Rock is blown out of a glass window by a grenade, falls four stories, and concaves a car unscathed, or when Jason Statham is slammed in the face by The Rock’s Texas-sized elbow and shakes it off like it was a tree branch, I found it a chore not to mutter “bull$#!t” under my breath.

Yet despite these moments of absurdity and a final chase scene that seemed to lose itself towards the end, Furious 7 is 2015’s best movie so far, and among the most fun movies I’ve seen in theaters in a long time. It’s emotional, action-packed, and contains enough context so that Fast and Furious first timers can enjoy themselves as well.

While Vin Diesel’s prediction that Furious 7 will win Best Picture at the Oscars is a bit bold, it doesn’t mean that we shouldn’t be supporting these kinds of movies. It’d be stupid to say there aren’t better action movies as this, because there definitely are, but when action movies work as well or better than Furious 7, they’re the shining examples of why we go to the movies in the first place. It has its imperfections, but Furious 7’s full-throttle levels of testosterone that seem to exude from the screen to the audience are enough reasons to go see the movie. The substance is what’s worth staying for.

Rating: 3.5/5

A quick side note: My radio show co-hosts both gave this a 4.5/5, and they’re fans of the series. So there’s a good chance that if you liked the previous Fast and Furious movies, you’ll love this

Unfriended

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Unfriended is the kind of horror film that gets your wondering if its absurdity is intentional or not. My question – does it matter? The movie is entertaining. Some will say it is ridiculous and stupid, others will say it has legitimately terrifying scenes. I saw a bit of both, and found myself at the edge of my seat with intense anticipation, as well as drawing attention of every moviegoer in the theater as I laughed along to some of the death scenes. Add that up, I’d be lying if I didn’t say I would recommend this movie to people.

In a highly original approach, Unfriended takes place almost entirely on the computer screen of high school student Blaire. On the anniversary of her classmate Laura’s suicide, she Skypes with her boyfriend Mitch and their four friends. The friends recount the events that caused Laura to take her own life, which all trace back to the backlash and bullying that resulted following an embarrassing video that went viral.

Blaire and her friends notice an unknown member in their group chat who they aren’t able to remove, report, or block. Soon, the glitch reveals itself to be the ghost of Laura, which no one seems to care about at first except for Blaire (who obnoxiously and incessantly texts her boyfriend out of fear). Laura’s spirit controls everyone’s computers, contacting the group through Skype, FaceBook, Google, and even their printers. Slowly, Laura taunts all the friends with threats to kill they if they sign off, and possesses their bodies and forces them to commit suicide as their friends watch helplessly from home. As the fear heightens, the strength of their friendship is tested as secrets of their relationship with Laura and the role they played in her death comes to be known.

Unfriended has scenes of genuine tension, with one shining examples being one where two of the friends receive threatening notes through their printers which leads up to the most shocking death in the film. However, some moments are, for a lack of a better work, stupid. One scene shows Blaire and her friends facing an immediate threat, to which Blaire responds by taking a five minute diversion from the horror to bring us a head-scratching Chatroulette scene. And then we have some funny scenes, which include Laura’s spirit posting a meme after killing one of the teens.

But let’s backtrack for a second. The whole concept of Unfriended is completely absurd. The idea of conveying an anti-cyberbullying message to a teen audience through a film that takes place entirely on a computer screen is great. That had me intrigued. But the ghost in the film is of a bullied girl who committed suicide. Why did she kill herself? A video emerged after she pooped her pants. Yes, a girl committed suicide because everyone laughed at her after she pooped herself. I just laughed to myself at this idea – not at the idea of a teenager being humiliated to the point of killing herself, but at the idea of a girl feeling like there was no other way…because she pooped her pants. These days, people kill themselves for being called slut, gay, or whore, and if people committed suicide for pooping their pants, no one would make it to the first grade alive. Having said that, this definitely added to the overall feel of the film, which was, again, absolutely ridiculous.

So while Unfriended isn’t the highest quality horror film, I did enjoy it for the most part. I basked in the stupidity and actually enjoyed and commend some of the more intense scenes, and I laughed more times than I ever have in a “horror” movie. So if you go in with this mindset, Unfriended is an achievement. But if you want to be genuinely scared, watch something else.

Rating: 3/5

Insurgent

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I feel like I owe the filmmakers of the Divergent series an apology, because walking in to both of their installments, I had my expectations admittedly low. Last year's Divergent surprised me with its brutal action, entertaining atmosphere, and unexpectedly high quality. So, in terms of Divergent's follow up, was it really fair to me to judge it so harshly beforehand? Let's just tack that one to the societal disdain for young adult novel adaptations. But what movies like Harry Potter, The Hunger Games, and now Insurgent prove is that there's sometimes so much more to this genre than it's given credit for. 

Insurgent picks up with Tris Prior (Shailene Woodley), boyfriend Four (Theo James), brother Caleb (Ansel Elgort), and ally Peter (Miles Teller) hiding from the government following the deadly societal fallout at the end of Divergent. Together, this cast of characters (portrayed arguably by perhaps four of Holywood's most talented and promising young actors) work to evade the autocratic Jeanine Matthews (Kate Winslet) and recover from the loss of their friends and family. Meanwhile, Jeanine recruits those who have betrayed Tris and her fellow divergents to discover the hidden secrets within an coveted artifact that could change dystopian Chicago forever. 

Like Divergent, Insurgent has the potential to surprise you, especially if you continue to hold low expectations for films within this genre. Insurgent is action packed, with sequences that assist the film in boldly emerging from its category. I've only seen 3 other films this year, but the scene where Tris and her friends escape from their enemies with the help of a train is far and above the most intense scene of 2015 (that'll undoubtedly change once we start seeing some summer blockbusters, though). It then goes on to keep the pace it set with gripping moments of Tris in a simulator and continuous twists of character allegiances.

Coming off of more dramatic films like The Fault in Our Stars, Shailene Woodley proves to be quite a badass. Her character's skillset - both physical and intellectual - never fails to captivate or entertain. Tris is relentless, mature, compassionate, and strong. If I had a daughter, I'd much rather see her grow up to be like Tris than Lily James' Cinderella.

Now, it wouldn't be right to say that either Divergent or Insurgent is better than Harry Potter or The Hunger Games when they're all at their best, but Insurgent proves that even when films in this genre aren't perfect, they can still be pretty good. The score is fitting, the visuals are spectacular, the acting is first-rate, and its scope is surprisingly mature. In fact, Insurgent is an improvement on Divergent in many aspects, and so if you weren't expecting much following the 2014 film, you might have your mind changed after this movie. 

To be honest, I am a bit skeptical on how Allegiant will be able to tell an additional story (in two movies :/ ) since Insurgent ended so well. However, if these past these two films have taught me anything, it's not to underestimate the series' production staff. If the filmmakers can match and/or exceed the quality of what they've done so far, we could be in for quite a ride when it comes to the Divergent series' two-part finale. But let's see what happens.

Rating: 3.5/5